I spent most of today finishing up a small set of these four flap portfolios for the Vista Sans Wood Type project. My classmate and I have been slowly making about 8 of these, for their kickstarter campaign, over the course of the last year. They are actually really fun to work on because they are so much bigger than our usual scale. It’s fun to have to work out new problems and be innovative. The cloth is Canapetta and the label is made from cherry wood paper and carbon stamped.
Moby Dick in a full cloth case binding with parchment onlays
Making all these blank books can get kinda boring. Even though most of our training around the bindery is technical, it’s nice to get to put the creative side of my brain to work for a change. Despite the fact that Jeff is constantly reminding us that we are craftsmen, not artists, and this is not art school. I had a lot of fun making this; I know the design is a bit trite, but whatever. The onlays are done by cutting the design out of 20pt (card stock), then laminating that to the boards. The book is then covered in the usual way and the cloth is carefully worked into the design. The onlay has to be cut exactly to fit inside the impression and glued in place carefully. Then you, to quote my instructor, “press the shit out of it. ” Finally you go home and stay up all night worrying that maybe the onlay slipped out of position, or expanded too much from the glue while in the press. Stay tuned for fancy leather bindings, an austere existential rebinding and maybe some fun repair projects.
